Every cut followed the kick drum instead of the snare to change up the rhythm and pacing. The visuals were designed to feel gritty and sunburned, like an old 16mm film that was partially restored. I leaned heavily into overlays, intense film grain, and earthy tones. The video had to match the references Gibz provided. This wasn’t just an aesthetic choice, it was part of his identity as an artist. I also made sure the feature artist, 504 ED, had equal shine from start to finish.